You may remember back in February MoDiP advertised a funded,
plastics related PhD at the AUB. I
thought it was about time that we introduced you to the lucky recipient, Kate
Hall. I asked Kate a few questions about herself and her plans.
LD: Hi Kate, welcome to the AUB. As we advertised the MoDiP PhD bursary on our
blog I thought our readers would be interested in who took up the challenge and
what they plan to do with the opportunity. Can you
tell us what attracted you to this research project?
KH: The opportunity and
challenge to try something different is always a draw for me. Given the
unique collection at MoDiP, I was very keen to work with the museum in some
way. Given the 'avant garde' approach that AUB has, this was not going to
be an 'ordinary' journey. How could I resist? The outcome of the research
should, I hope benefit the partners involved.
LD: So what is your background?
And what is your subject area?
KH: A nurse, a teacher, a
mother, I have also worked in the cultural sector for some years. I have a
Masters Degree in Museum Studies which, added to my fascination with the story
of people and objects has led me to writing around these areas. This research, combined
with Creative Writing which is my art practice, will I hope, allow me to
present a unique perspective on the Plastic Chair, the object of my research
desire.
LD: You have been a PhD student
for a few months now, what are your initial plans and how are you going to be
using the collection?
KH: After much literature
searching and consideration of the areas of study already well documented in
Plastics, I am focusing my research on 'The Plastic Chair', several examples of
which already exist in the MoDiP collection. It is an object so urbane but
which has also achieved iconic status in the arenas of art and design. I plan
to use Creative Writing as my art practice, an approach still in its infancy in
the realms of art research. Who knows what stories and poetry will emerge.
LD: That sounds exciting, are
you enjoying being a PhD student?
KH: Oh yes! Very demanding but
very exciting and the challenge is something that I relish. Frustrating too as
I want to move faster than I realistically can. Being very impatient and
impetuous, I am having to develop a 'modicum' of discipline. I have Professor
Stephanie James and Susan Lambert as my poor suffering supervisors bringing to
the partnership considerable experience and expertise. They are certainly
challenging me already so I sense that I will have to work hard and
consistently to meet their high standards.
LD: Is there somewhere we can
follow your progress?
KH: I have just started my own
website and blog @ anothergreenfool.com which is principally my writing vehicle
but which I will be developing more around Plastics as the research grows. I
also use Twitter @KTHall1.
Thank you for your time
Kate, we look forward to following your journey as a PhD student.
Louise Dennis (Assistant Curator)
Phil Blume then took up the trail and found a Canadian website - www.quillsquotesandnotes.com/bite-bread.htm - written by Rosemary Phillips in which she tells of her grandfather, Ernest Harrison, inventing a bread slicer in 1927 and this being the "beginning of an inventors creative career". He emailed her asking if she knew of any connection between her grandfather Ernest Harrison and the Ernest Harrison of Bury, Lancashire and this is how she replied:
'Thank you so much for your e-mail – this really means a lot to me.
Yes, Ernest Harrison, my grandfather, was the designer of those plastic stair treads, through his company Byson, in Bury, Lancashire. Byson also produced plastic buttons, and helmets for the war, and toilet seats.
Ernest’s biggest contribution to the design world (besides creating one of the first automatic bread slicers) was the introduction of foam rubber (then only used as an insulation) to replace horsehair in upholstery. My attempts at finding the source of this in 1981 were at Dunlopillo in Wales, where they were unable to provide that information, but did give me a formal luncheon that left the Dunlopillo scientists and staff wondering about why I was there – that my visit was evidently very important. (See the attached Finding Ernest)
So in effect, you could say, that Ernest Harrison was also the initiator of the foam revolution... this will not be shown in the historic documentation of the industry... but I know about it because I lived with the chairs that Ernest used to demonstrate to Dunlop how to use their foam insulation for upholstery. They were not comfortable to sit on, because the foam they had at the time, that was used in those chairs, was in open squares, not a whole slab.
I spent a fair bit of time trying to research this information, but without much success... and when Ernest died, all I was able to rescue from his belongings was a few drawings of items he was still trying to patent in the 1950’s...'
Thanks to Lewis Orchard we know also that the clips were in production by 1934 as he found out that Byson Appliance are listed at the White City Industries Fair, as producers of "Stair-Carpet-Holders (non-metal_ Made from Bysonite in Oak, Walnut, Mahogany, Black, Green and Orange Colours. I suspect from the patterning on those in the MoDiP collection: www.modip.ac.uk/artefact/aibdc-00552, they are walnut examples. It would be wonderful to have some in different colourways.
Susan Lambert
Head of MoDiP