It’s now halfway through my student creative journey and the project has really begun to transform through experimentation. The process began from selecting key objects from MoDiP and observing them through drawing and photography. Studying these was helpful in deconstructing the pieces and thinking about where it will go from here.
My choice of objects had mundane functions but innovative shape and form within their design. I found this a bit tricky as in the past I have focused on the mundane and then redesigned. The fact that these items have existing design quality meant it would be more exciting to push how I think or see them differently.
|Figures 1 & 2 Still Life of selected objects|
At the time of writing this, I’ve been working hard on my master’s degree where I’ve explored a wide range of materials and ideas. This explains why I’ve taken a similar approach to the student creative journey and how my thought processes are merging between the two. As I’ve started to get a better grip on my own practice as a fine art student, I’ve been able to understand how I can reinterpret the MoDiP items. Not only that, my own practice has also given me specific concepts and techniques I could be using. Such as images 3 and 4 which show a recent piece focusing on application of materials and the importance of surface texture which also contains many other meanings or research led from practice.
|Figures 3 & 4 Images of recent Fine Art practice exploring surface texture and other research discussions|
Digital design is something I’ve started to bring to this creative project. In the past I’ve always created repeat designs or digital artwork to be used for something else, not stand-alone digital artwork. So this presents a new challenge to me as the focus will be on that one object itself. Since I started playing around with digital ideas, I think it’s great the way a 3D object can take on a new life when digitised, especially once I’ve added some transformative adaptations. What became more interesting was combining my own studies with the project and learning something new about myself as an artist.
|Figures 5 & 6 Digital artwork combining both experiences|
I admit this isn’t where I saw this going at the start, as I had a pretty good idea of how my outcome would look and be finalised. However, this is something I enjoy about fine art as producing work becomes a process itself and you can start somewhere and end up completely off track. Since my BA, I’ve realised going off track is not a bad thing as I could be trying things I would never initially think of. The good thing is though, I’m still able to come full circle if what I’ve tried out isn’t how I imagined, and return to my initial ideas. It’s all a valuable learning experience!
At this stage of the project I am fully immersing myself in this experience and have already achieved a vast arrangement of ideas and experiments and those will continue to develop. The fact that I can be so explorative with the MoDiP collection goes to show how adaptable their pieces are. Also, with the right mindset there really are no limitations and you can work in any specialism to convey the beauty of the MoDiP piece, while still not representing or illustrating it literally. All my documentation of drawings, sketches and images will still hold an importance going forward and I will document these along the way.
I hope this can help inspire other creatives to reinvent their perspective using objects and that artwork based on plastics doesn’t need to be... plastic! I really look forward to sharing how valuable this experience has been and where I ended up in my next instalment.
Jak Hansford – MA Fine Art