Wednesday 29 March 2023

L'il Abner's Flyin-Saucer, Fred Morrison, 1950.

AIBDC : 008605
Image credit: MoDiP



This bright and sunny, yellow coloured frisbee is in an amazing condition given that it is over 70 years old. That is largely due to the fact that it has been unused: 1600 of these Arcuate Vanes were discovered in a warehouse in 1977, where this example is believed to have originated. We think it was injection moulded in butyl stearate.



Fred Morrison’s design for the Whirlo Way.
Image credit: https://www.flyingdiscmuseum.com/
antiques/flyinsaucers/hAFB25767#hb
0fc7f78




It was designed by Fred Morrison who had been inspired to create a new toy by watching children throwing empty pie tins to each other. According to Phil Kennedy at the Flying Disc Museum, Morrison created his first flying disc in 1946 out of metal with a wire frame for additional weight and strength, called the Whirlo Way (refer image above). This became the basis of his design for a plastics version two years later called the Flyin-Saucer (refer image below), capitalising on the American UFO craze of that time. It was moulded by the Southern California Plastic Company (SCP) for Pipco, a business set up by Morrison and his friend Warren Franscioni who had met as pilots during WWII.



The first version of Pipco’s Flyin-Saucer, released between 1948-1950.
Image credit:
https://www.flyingdiscmuseum.com/antiques/flyin-saucers/hAFB25767#ha2c97943




The two men quickly realised that their toy needed to be demonstrated, attributing slow sales to the fact that nobody had come across a Flyin-Saucer disc before. They would throw and catch one between them in local stores, fairs, and marketplaces, joking that the Flyin-Saucer was free but the invisible wire cost $1!

By 1949, Pipco were marketing the toy as a gyroscopic airfoil, sold wrapped with a paper insert that described how to use it and how to order more. The following year they released their second design (MoDiP’s example), which they called the L'il Abner's Flyin-Saucer, packaged with a sticker on the top face and a round card insert featuring the popular satirical comic strip drawn by Alfred Caplin/Al Capp (refer image below).


The sticker and card insert.
Image credit: MoDiP



Unfortunately, a disagreement resulted in Capp claiming Pipco had breached their agreement and on threatening to sue he demanded $5000 in compensation which, ultimately, forced the closure of Pipco in late 1950. Southern California Plastics sought permission from Morrison to continue to mould the design for a few more years under their own name, although they chose to mould it in polyethylene. Morrison then bought and sold some of these new discs before producing a completely different prototype in 1955 called the Pluto Platter and released through his new company, American Trends. He sold the rights to the Wham-O Corporation in 1957 who trademarked the name frisbee in 1959, now synonymous with flying discs.



Fred Morrison promoting his Pluto Platter, 1957.
Image credit:
https://www.theguardian.com/theguardian/2010/apr/29/fred-morrison-obituary



If you would like to view this object in the museum, please contact us.


Katherine Pell
Collections Officer
 

References:


Wednesday 22 March 2023

Margrethe mixing bowl, Jacob Jensen, 1954.

Given that it is Nordic Day tomorrow, Thursday 23rd March 2023, I thought it would be apt for this blog to celebrate a lovely piece of Danish design from the MoDiP collections.


AIBDC : 008850 and 008849
Image credit: https://www.modip.ac.uk/collections?columbo%5B0%5D=person%3A14306



The Margrethe mixing bowl was originally designed by Jacob Jensen in 1954, whilst working at the design studio of Bernadotte & Bjørn Industridesign A/S, Denmark’s first industrial design studio. It was founded by Swedish silversmith and industrial and furniture designer Count Sigvard Bernadotte and Danish architect and designer Acton Bjørn in 1949. Jensen worked with the company from 1952-1958.


Left to right: Bernadotte, Bjorn and Jensen.
Image credit: https://www.europeana.eu/en/item/91625/nomu_photo_
NMA0055468
(left) and https://beo.zone/en/jacob-jensen/
(right).



Rosti, manufacturers of melamine tableware, first began looking to add a mixing bowl to their product line in 1947. Over several years they undertook research, asking groups of housewives to test a series of competitors' bowls and rate them for their positive and negative points. They found that their customers wanted a bowl that had high sides to enable activities such as stirring and whipping without spillage, but that also had a pouring lip and a handle. Furthermore, it needed to be lightweight, durable and robust. The company approached Bernadotte & Bjørn with the design brief, which was handed over to Jacob Jensen, a newly qualified industrial designer from the School of Arts and Crafts (Denmark).





Compression moulded in melamine formaldehyde, the bowl was named by Bernadotte (who was the brother of Queen Ingrid of Denmark) after his niece who would later become Queen Margrethe II of Denmark. Launched in time for Christmas 1954, it was made available in three sizes that could stack inside one another, in the colours red, white, blue, yellow and green. It proved an instant success and has gone on to become a design classic with over 25 million sold worldwide to date.


Image credit: https://www.dreamstime.com/photos-images/pottery-denmark.html



The rubber anti-slip ring around the base was added in 1966, and matching lids in polypropylene followed along with additional bowl sizes and colours. The Margrethe has won numerous awards such as the ID Classic Prize for designs that have been in production for over 25 years, and it has even appeared on a stamp (refer image above). There are examples in many different museum collections and it is regularly featured in exhibitions.


On display in the ‘Design: the problem comes first’ exhibition, V&A, 1983.
Image credit: https://www.vads.ac.uk/digital/collection/DCSC/id/8551/



At MoDiP, we currently have two examples: a 3 litre capacity bowl in white dated to the 2000s and a 4 litre capacity bowl in red dated to the 1970s. We also have some other objects designed by Bernadotte and Bjørn such as the Roda Clara can opener and the Taffel picnic set. All of these can be viewed in the museum on request.


I want an oversized Margrethe bowl to use as a planter too!
Image credit:
https://www.instagram.com/p/CAuTgf8FqtW/


 
Katherine Pell
Collections Officer 

Wednesday 15 March 2023

Our latest exhibition - Reuse.

This week we have been busy taking down our last exhibition, Endurance, and installing our new exhibition, Reuse. We have been joined by one of our volunteers, MA Fine Art student Sourabh Sharma, seen in the images below emptying the cases and wrapping objects for their return to storage.



Although MoDiP often refers to plastics recycling initiatives through our ongoing interpretation and engagement programmes, the Reuse exhibition was an opportunity to examine industry responses to recent legislation.

In 2019, the EU published a directive that aimed to promote circular approaches to manufacturing in an attempt to reduce quantities of generated waste. For similar reasons, in 2022, the UK Government introduced a tax on plastics packaging, and in the same year the UN adopted a resolution to end plastic pollution.

As consumers, we should take responsibility for the purchases we make and consider the environmental impact of those choices. However, these laws will help to encourage designers and manufacturers to take their share of the responsibility through, for example, using materials effectively and efficiently.


Pam (left) and Louise (right) installing objects.
Image credit: Katherine Pell


The objects on display will demonstrate ways in which the reuse of raw materials, as well as products, can help to reduce our reliance on single-use plastics. They will also show how products can be created to support recycling at the end of their useful life, and provide a variety of ways that a single recycling resource can be used.




In light of the subject of this exhibition, we also wanted to re-evaluate the sustainability of our own practices. For example, several years ago we made the decision to avoid using foam core board in our exhibitions because it is difficult to recycle, favouring in-house printing of text on paper placed in reusable acrylic mounts. This year we have made the decision to stop using non-recyclable vinyl lettering for our case headings. The image above shows Pam scraping some of this off of one of the glass doors, with the used film being either sent for landfill or incineration through normal waste. To counter this we have chosen to incorporate each case theme within the paper text panels. It may not be as immediate visually but it is certainly more sustainable. 
The Reuse exhibition will officially open on Friday 17th March and will be on display until 8th September 2023.

Katherine Pell
Collections Officer

Wednesday 8 March 2023

Endurance: out at sea

This is the final blog post relating to our current exhibition, Endurance, which closes at the end of this week. 

Every year, an estimated 236,000 people drown, making drowning a major public health problem worldwide[1].  This figure includes in rivers, pools and at sea.  The best way to prevent drowning at sea is to avoid entering the water, some of the ways to do this are featured in the exhibition. This is not always possible and so the object I am featuring in this blog post is the Fibrelight Self-Recovery Ladder.

 Fibrelight Recovery Ladders, AIBDC : 009366

Fibrelight Recovery Ladders, AIBDC : 009366

Fibrelight Recovery Ladders, AIBDC : 009366

This ladder is a rescue device designed for fishing boats or similar craft with solo or limited crew.  The rope-style ladder is rolled up and contained within a bag which would be attached to the side of the vessel.  This bag has a ‘burst-zip’, this is a mechanism which remains closed when the ladder is not needed, however, as the cord is pulled down through the middle of the closure, the zip bursts open and releases the ladder.  The adjustable cord allows the ladder to be pulled from the bag by a user who has fallen overboard, the bottom of the ladder falls into the water and the casualty can climb back into the vessel without any further assistance.

The ladder in use https://cqc.co.uk/fibrelight/fibrelight-ladders/self-recovery-ladder/


The ladder in use https://cqc.co.uk/fibrelight/fibrelight-ladders/self-recovery-ladder/


The ladder in use https://cqc.co.uk/fibrelight/fibrelight-ladders/self-recovery-ladder/


The ladder has been designed for use by a single person and can be deployed in seconds. The ladder has a width of 600mm and is manufactured in half metre lengths from 1-3 metres, this example being 1 metre long. It has no mechanical moving parts and as such requires no maintenance other than visual inspections. The rungs are made of carbon fibre composite other than the bottom rung which is made of stainless steel in order that the ladder sinks to a level in line with the user's foot.

The ladder in use https://cqc.co.uk/fibrelight/fibrelight-ladders/self-recovery-ladder/

The patent for the design of the ladders was applied for in 2007 by Fibrelight Developments Limited with the inventors listed as Anthony James Patrick Hobbs and David Allan Taylor. The ladder is produced and distributed by CQC Ltd under contract from Fibrelight Developments Ltd and a white bagged version is available for super yachts. With most super yachts being white in colour this version will fit in more tastefully, but the bright yellow will be visually easier to see and manoeuvre to once in the water.

Louise Dennis, Curator of MoDiP



[1] https://www.un.org/en/observances/drowning-prevention-day

Wednesday 1 March 2023

Is it ever too cold for ice cream?

Short answer: no, certainly not in my house! And certainly not in MoDiP either as we have some great objects linked to this tasty desert which I would like to share with you here.


Image credit: Katherine Pell



First up is this child’s toy in the shape of a football (refer image above). What does that have to do with ice cream I hear you ask? Well, it is a Tonibell Miniball and originally contained the vanilla flavoured sweet treat. Available in red, white, blue, green, yellow and orange colours with a removable lid, it sold for one shilling in 1968 and, once consumed, the plastics packaging could be used as a ball.





Manufactured for Tonibell, a company founded in 1937 by Toni Pignatelli (then called Tonis) which made, sold and delivered icecream, the name change occured in the 1960s, combining the name Toni with the Italian word Bellissima. As the business expanded a fleet of icecream vans was acquired, first branded in blue but later pink, that operated throughout the 1960s, 1970s and 1980s in the Kent, London and Surrey areas. This object was donated to MoDiP by Abergavenny Museum who were originally gifted the ball by Llanover School in 1978. It will feature in our next exhibition, Reuse (opens 17th March 2023).


Image credit: Katherine Pell



Next up is a similar tub but this time in the shape of an orange (refer image above). Once again blow moulded in polyethylene, it was manufactured by German ice cream maker Scholler. The skeuomorphic design has an injection moulded, lift-off lid in a slightly darker shade and the injection gate has been cleverly hidden amongst the 'peel'. We think it dates to the 1990s, but it could be earlier. Apparently, these were delicious. Yum!




Image credit: MoDiP



These oversized Big Love vibrant bowls (refer image above), designed by Miriam Mirri for Alessi in the 2000s, are always a popular choice for object inspiration amongst the students at AUB. They are made from injection moulded acrylic with a stainless-steel removable liner and a long handled, heart shaped spoon. Believe it or not they are intended for sharing – whoever heard of such a thing?


Image credit: MoDiP



Finally, this rather endearing I Scream ice cream scoop, designed by Orange of Darmstadt for Koziol in 1997. Injection moulded in polystyrene, the transparent handle is filled with static bubbles and the anthropomorphic figure’s wide opened mouth cleverly acts as the spoon. Currently on display in the ‘Three Collections’ case outside the museum, it does seem to generate mixed reactions. Personally, I think it looks like it is singing, not screaming.


Image credit: http://www.traceyfletcherkingblog.com
/2015/07/sinus-and-creepy-ice-cream-scoop.html



If you would like to see any of these objects, please contact us.

Katherine Pell
Collections Officer