A different view #5

There are many ways to look at the objects in the MoDiP collection.  With this series of posts I want to highlight the interesting views of objects that we may ordinarily miss.  These include the underside of an object, the surface pattern, or traces of manufacturing processes.

Title: nB Ware yarn holder
Designer: Unknown
Manufacturer: NB Products
Object number: AIBDC : 0_6460

Louise Dennis (Assistant Curator)

Did you know? #13

Did you know banknotes can be made of plastics?

In the UK we will be seeing polymer £5 and £10 banknotes in 2016.  It is suggested that the polymer notes will last longer than the traditional paper notes making them cheaper in the long run. However, there has been a lot of debates about whether polymer banknotes are a good thing or not.  

https://www.flickr.com/photos/bankofengland/9719061738/

The following links show the differing views:

http://www.londonlovesbusiness.com/lifestyle/london-culture/5-reasons-polymer-banknotes-could-be-a-disaster/7051.article

http://www.printweek.com/print-week/news/1141211/polymer-banknotes-issued-2016#disqus_thread

http://www.csiro.au/Organisation-Structure/Flagships/Future-Manufacturing-Flagship/Flexible-Electronics/World-first-polymer-banknote.aspx

http://www.bbc.co.uk/news/magazine-15782723

http://www.theguardian.com/business/2013/sep/10/polymer-bank-notes-pros-cons

Louise Dennis (Assistant Curator)

Behold, the Great Pretender

Somehow I have become the current Student Writer in Residence at MoDiP and it represents a challenge as well as an honour for me. I am not a published author or poet in the traditional sense of the meaning. I am a Doctoral candidate at the Arts University Bournemouth who is taking a creative writing approach to my thesis. This places writing (and reading) at the heart of what I do. It probably also suggests that writing is somehow embedded in my being, it is an imperative. This is now very true.

As the current Student Writer in Residence, I am charged with producing something creative on a regular basis. This is an exciting task as writing in the real world demands deadlines and outcomes. So I will be presenting three pieces of creative writing over the next year and what that will be is yet to emerge. This is part the enigma of writing, I never quite know where it will come from but when it does, I have to go with it. My Doctoral work is an attempt to uncover some of the mystery of the process of writing creatively.

Why am I drawn to the poetic form?

That is the stuff of a thesis, but in short, it is short, sharp, powerful, and punchy on the one hand but the tendency toward illusion or allusion allows for the writer to play and give license to the reader to tussle with meanings both general and personal. Poetry can be much bigger than the poet. It can capture huge stories in a short space, focusing the macro into a more manageable size. It concentrates and coalesces emotions, messages and our stories.

Behold, the Great Pretender is a poem dedicated to the masquerade of plastics.

I wrote it in response to and as a complement to the current exhibition at MoDiP - an exhibition that celebrates the magic of plastics in contemporary culture and society. Beyond the practical, everyday nature of the material there is an alchemy, an allure which draws me, the creative writer to explore its essence, its being.

MoDiP hands the poet in me, on a plastic plate, naturally, a perfect opportunity to play with a familiar literary device manifested and materialised through the exhibition Is that plastic?

How could I resist a metaphor and for that matter a skeuomorph?

And walking through the exhibition, I found myself mesmerised, fascinated and intrigued by the myriad of ways that plastics have copied other things, other materials that we find in our ordinary existence.

Plastics, and more specifically artists and designers, have stretched the boundaries to recreate art, beauty, truth and even life itself.

This poem attempts to touch the issues that were revealing themselves to me as I wandered through the displays.

My mind was flooded with responses; the mimicry, the pretence, the fax simile, the substitution, the replacement, the guile, the falsehood, the changing, reshaping natural world, the duplicity, the waste, the potential of human inventiveness, our superficiality and ignorance.

It is a criticism, it is a celebration, and it is an observation through my eyes.

Behold, the Great Pretender

I.

Shapeless, shameless, formless, nothingness

Moving toward something, anything, but what?

The magician’s slight of hand brings to life,

To form, anything it desires.

A gifted child who sees the endless possibilities of play,

Unfettered, confined only by the whim of man.

II.

Symbol of our stay.

Mirror to our souls.

Exulted by design.

Lamented in decay.

Are you what you claim to be

Or has reality blurred our vision,

Preventing us from seeing.

III.

The great pretender

Scripted by the creator’s hand,

Whose function has been lost,

Transforms into a symbolic gesture,

Substantiates material existence.

IV.

One eye fixed on the past.

The other firmly faces to

The next ‘big thing’.

Standing on the threshold of

Re-defining who we are.

V.

Displacing others to fool the eye.

Aspiring to be, to satisfy the masses.

Drawing us closer to the unreachable.

Faux fur,

Faux life,

False god.

VI.

Textured, distressed, familiar yet inferred.

It represents the thing itself and echoes of the past,

Smuggling aristocratic values across the great divide.

And in so doing becomes it

Or so it seems.

VII.

Teasing senses with a new integument,

Appearing as a timeless edifice.

Can we trust this child of man?

Or is the fakery ours to own?

The eye may fall for such deceit,

The hands betray its counterfeit.

VIII.

Providing us with signs to navigate

In new landscapes and temporal crossings.

A comfort in transition toward a new aesthetic.

Replacing loss,

Restoring equilibrium.

Bodies robbed by violence or disease or want.

Minds disrupted with an absence,

Still sensing, needing presence where there is vacancy.

Filling such deep longing to be whole.

IX.

The oceans move now with abundant waste,

A toxic symbol of our transient, ever changing desires.

And yet from this primordial soup,

We force, we cast and press,

We reincarnate, re-use,

Creating a new estate, a new us.

Oh brave, brave new world.

Kate Hall (Student Writer in Residence)

Kate Hall is a Doctoral Student at the Arts University Bournemouth. She writes across a range of contexts and publishes her work online. She uses creative writing as her art practice and an anthology of creative writing will be part of her Doctoral output. With support links to the Museum of Design in Plastics, she will draw on objects from the collection to inform her work. The chair made of plastics will feature as the central object around which a literary narrative will be created alongside the critical component of the thesis.

 

We're open again

We are open again after the campus was closed for the Christmas break.

2015 should be an interesting year for MoDiP.

In April we have our exhibition, Threads, opening which will about plastics and clothing, and then in September we have a 2 day conference, Provocative Plastics, which should be a very interesting couple of days.  Lots of work to do before we get there though.

Louise Dennis (Assistant Curator)

Closing for Christmas

We would like to wish all of our followers a very merry Christmas and a happy 2015.

MoDiP will be closed over the Christmas vacation, along with the rest of the campus, from 24th December 2014 and will reopen 5th January 2015.
Seasons Greetings
Susan, Pam, Louise & Katherine

Do you 'snow' what these are?

MoDiP has the kind of collection that you may think you are very familiar with. We have objects which we all use every day, and some pieces which are more unusual.

By looking at this distorted image are you able to guess what the object is? What do you think it could be used for?

Post your answer in the comments below or to find the answer click here and you will be taken to the MoDiP catalogue.

Louise Dennis (Assistant Curator)

A different view #4

There are many ways to look at the objects in the MoDiP collection.  With this series of posts I want to highlight the interesting views of objects that we may ordinarily miss.  These include the underside of an object, the surface pattern, or traces of manufacturing processes.

Title: Major Morgan electronic game
Designer: Unknown
Manufacturer: Playskool for Hasbro
Object number: AIBDC : 0_2306

Louise Dennis (Assistant Curator)